The Grand Conclusion of Panorama 2026

 

A Season of Legacy, Pride and Unforgettable Music

 

After months of anticipation, music, and community celebration, Panorama 2026 has officially come to a close, leaving behind a season that will long be remembered as one defined by pride, legacy, and a powerful reaffirmation of Trinidad and Tobago’s cultural identity. From the earliest rehearsals in pan yards to the spectacular performances on the national stage, this year’s Panorama journey reflected the resilience, creativity, and unity that have always defined the Steelband movement.

This year’s festival unfolded under the compelling theme “Legacy - Ours to Love, Ours to Cherish.” More than a slogan, the theme served as a reminder of the responsibility carried by every pannist, arranger, tuner, and supporter to protect and nurture the legacy of the steelpan. The instrument, born from the ingenuity of our people, continues to stand as the only acoustic musical instrument invented in the twentieth century, and its story remains one of transformation, resilience, perseverance, and global impact.

Now in its 63rd year, Panorama continues to represent the highest stage of excellence for the national instrument. Each Carnival season, the competition brings together communities from every corner of Trinidad and Tobago, uniting generations of musicians who dedicate months of preparation to the art form they love. For young pannists, Panorama represents an opportunity to step into a tradition that stretches back decades; for seasoned players, it is another chapter in a lifelong commitment to the Steelband movement.

From the very first notes played in pan yards across the country, the Panorama season began to take shape as bands refined their arrangements and communities gathered nightly to witness the magic unfold. The pan yards became vibrant cultural spaces where families, supporters, and curious visitors assembled to experience the evolving sound of each orchestra. These early performances reminded the nation that the foundation of Panorama is rooted firmly in community, where Steelband’s are not simply musical ensembles but pillars of neighbourhood pride and cultural expression.

As the competition progressed, that same energy travelled from the pan yards to the grand stages of the Queen’s Park Savannah and Skinner Park, where thousands of patrons gathered to witness the finest steel orchestras in the country deliver performances of remarkable musical complexity and emotional power. Each arrangement represented months of dedication, long nights of rehearsal, and the collective spirit of musicians determined to honour the legacy of the steelpan.

Throughout the season, Panorama 2026 demonstrated once again that the steelpan is far more than a musical instrument. It is a symbol of national identity, a source of community pride, and a living expression of the creativity and resilience of our people. Every note played on the Panorama stage echoed the journey of an instrument that rose from humble beginnings to become a global cultural treasure.

By the time the final notes rang out across the Savannah and the champions were crowned, Panorama 2026 had once again proven why it remains one of the most significant cultural celebrations in the Caribbean. It reminded the nation and the world, that the story of the steelpan continues to evolve, carried forward by the hands, hearts, and passion of those who believe deeply in its legacy.

And as the curtains close on another extraordinary season, the message of this year’s theme resonates more clearly than ever: the steelpan’s story is not only a history to be remembered, but a legacy that belongs to every citizen of Trinidad and Tobago, it is - Ours to Love, and Ours to Cherish.

 

A Season That Began with Purpose

The 2026 Panorama season formally commenced with the official launch on Sunday, November 9, 2025, marking the start of months of musical preparation, community engagement, and national anticipation. The launch introduced the season’s guiding theme, “Legacy – Ours to Love, Ours to Cherish,” which emphasized the importance of safeguarding and advancing the steelpan tradition that Trinidad and Tobago have given to the world. More than simply announcing the upcoming competition, the launch set a reflective tone for the season, encouraging the Steelband community and the wider public to appreciate the long journey of the instrument and the responsibility shared by each generation to ensure its continued growth.

Panorama Preliminaries: The Heartbeat of the Communities

The Panorama journey always begins where the Steelband movement itself was born, in the pan yards. Long before the grand lights of the Queen’s Park Savannah illuminate the Panorama stage, the spirit of the competition first comes alive within communities across Trinidad and Tobago, where steel orchestras prepare and present their music in the very spaces, they call home.

The Preliminary rounds, represent one of the most authentic and cherished stages of the Panorama season. Throughout the country, neighbourhood streets, open lots, and community spaces transform into vibrant cultural arenas as supporters gather to witness the first full performances of each band’s Panorama arrangement. These events bring the competition directly into the communities that sustain the Steelband movement, creating an atmosphere that is both intimate and electrifying.

On these evenings, pan yards become centres of celebration. Residents, families, and visitors all stand shoulder to shoulder, sometimes lining nearby streets and rooftops, eager to witness the carefully crafted musical arrangements that bands have spent months refining. The sound of steel carries throughout the communities.

For the musicians, the preliminaries mark a pivotal moment in the Panorama journey. After weeks of intense rehearsals, often late into the night, these performances represent the first opportunity to present their musical interpretation before judges and the wider public. There is a mixture of anticipation and excitement as the opening notes are struck and their hard work is finally revealed.

As each orchestra begins its performance, the energy in the pan yard becomes palpable. Familiar melodies begin to emerge, transformed through the arranger’s creative vision into rich orchestral interpretations unique to the Steelband format. Supporters respond instantly; cheers erupt, hands clap in rhythm, and the crowd becomes fully immersed in the music. These spontaneous reactions reflect the deep emotional connection between Steelband’s and the communities they represent.

Unlike the expansive setting of the Savannah stage, patrons in the pan yard stand only a few feet away from the musicians. This proximity allows them to experience every detail of the performance; the precision of the pannists’ movements, the driving rhythm of the engine room, and the layered harmonies that give Steelband music its distinctive power.

Beyond the music itself, the preliminaries also serve as important community gatherings. Vendors line the surrounding streets, children run through the yards waving flags, and elders who have supported their bands for decades watch proudly as a new generation of pannists carries the tradition forward. These moments reinforce the social, economic and cultural importance of Steelband’s within their communities, highlighting the role they continue to play in fostering unity, mentorship, economic activity and creative expression.

For many bands, advancing beyond the preliminary round represents a major milestone, validating the countless hours of preparation invested by players, arrangers, tuners, and supporters. Even for those that do not progress to the next stage, the pan yard performances remain a source of immense pride, as they demonstrate the dedication and musical talent that exist within every corner of the Steelband fraternity.

Before the trophies are awarded and champions crowned, the true spirit of Panorama reveals itself in these pan yards, where the music begins, where communities gather, and where the heartbeat of the Steelband movement continues to thrive.

The Rising Generation: Junior Panorama

One of the most inspiring and uplifting moments of the Panorama 2026 season came with the staging of the National Junior Panorama Finals, an event that once again demonstrated that the future of the steelpan remains vibrant, disciplined, and full of promise. The competition brought together youth orchestras from across Trinidad and Tobago, showcasing the remarkable musical ability of young pannists who are steadily carrying the Steelband tradition into the next generation.

For the 2026 season, Junior Panorama introduced an important development with the addition of a new Under-19 category, which competed alongside the established Under-21 category.

The introduction of the Under-19 category proved to be a significant success, providing an inclusive platform for younger steel orchestras to participate in the Junior Panorama experience. The category featured 12 secondary school bands, all of which demonstrated impressive musical development while embracing the competitive energy that defines Panorama. It created an important opportunity for young pannists to gain national exposure, perform before large audiences, and deepen their connection to the Steelband tradition.

At the same time, the Under-21 division, which saw the participation of 23 Youth Steel Orchestras, continued to serve as the advanced tier of the Junior Panorama competition. Bands in this category delivered performances of remarkable maturity and musical sophistication, reflecting the high level of training and experience among the players. Many of these young pannists are already transitioning into senior Steelband’s, making the Under-21 competition a critical bridge between youth development and participation in the wider Panorama movement.

The Queen’s Park Savannah was filled with excitement as thousands of young supporters, parents, teachers, and Steelband enthusiasts gathered to witness the performances. The atmosphere throughout the venue was electric, with each youth orchestra delivering performances marked by energy, discipline, and impressive musical maturity. The young pannists demonstrated not only their technical ability but also a deep appreciation for the art form, proving that the traditions of the Steelband movement are being actively preserved and strengthened by the next generation.

In the Under-19 category, St. Francois Valley Stars Youth Steel Orchestra delivered a commanding performance of Voice’s - “Too Own Way” that earned them the championship title. Their musical presentation captivated both the judges and the audience with its precision, tight ensemble playing, and vibrant interpretation. BATCH Steel Orchestra followed closely behind with an impressive showing of Voice’s – “Retro” that secured them the 2nd position, further demonstrating the depth of talent emerging within the youth Steelband fraternity.

The Under-21 category also delivered exceptional performances that highlighted the advanced musical capabilities of these young orchestras. Shell Invaders Youth Steel Orchestra captured the championship title with an outstanding rendition of Crazy’s - “Band from Space.” Their performance was widely praised for its musical clarity, confident execution, and dynamic stage presence, earning enthusiastic applause from the Savannah crowd. Finishing in second place was bp Renegades Youth Steel Orchestra, whose powerful interpretation of Tano and Coutain’s - “Jamtown” showcased impressive musical discipline and rhythmic drive, reinforcing the high standard of competition within the category.

Beyond the competition itself, the event also delivered exciting entertainment that kept the Savannah crowd fully engaged. Patrons were treated to electrifying guest performances from some of the most dynamic voices in contemporary soca music. Mical Teja, whose music dominated the Carnival season, delivered an energetic performance that had the audience singing along, while Full Blown brought additional excitement with their popular hit “Respectfully Yours.” Their performances added a festive dimension to the event, seamlessly connecting the youthful spirit of Junior Panorama with the broader energy of Trinidad and Tobago’s Carnival celebrations.

These performances highlighted the close relationship between the steelpan and the broader Carnival musical landscape, reminding audiences that the Steelband movement continues to evolve alongside the modern rhythms of Trinidad and Tobago’s cultural expression.

Ultimately, the success of Junior Panorama 2026 reaffirmed the critical importance of youth development within the Steelband fraternity. By providing platforms such as the Under-19 and Under-21 competitions, Pan Trinbago continues to nurture the next generation of pannists, arrangers, and musical leaders who will sustain the instrument’s global journey.

The event demonstrated that the legacy of the steelpan is not simply being remembered, it is actively being passed forward, one young musician at a time. Through their dedication, talent, and passion, these young pannists ensured that the sound of steel will continue to resonate across Trinidad and Tobago and beyond for many years to come.

Junior Panorama Results

	19 AND UNDER
PLACING	NAME OF BAND	SELECTION	TOTAL
1	St. Francois Valley Stars	Too Own Way	277
2	BATCE Steel	Retro	274
2	Sapphonic Steel	Jamtown	274
4	BARS of Steel	Jamtown	273
5	Knights of Steel	The Bees Melody	270
6	Legacy Steel Orchestra	Blessing	269
7	Symphony of Saints	Jamtown	265
8	East P.O.S Stars Steel Orchestra	Jamtown	263
9	San Juan North Stars Steel Orchestra	Dear Promoter	262
10	Eldo East "Blue Steel" Orchestra	Gold	261
	21 AND UNDER
PLACING	NAME OF BAND	SELECTION	TOTAL
1	Shell Invaders Youth Steel Orchestra	Band From Space	291
2	BP Renegades Youth Steel Orchestra	Jamtown	290
3	T&TEC Tropical Angel Harps Youth Steel Orchestra	This Melody Sweet	280
3	First Citizens Supernovas Youth Steel Orchestra	Jamtown	280
5	Massy Trinidad All Stars Youth Steel Orchestra	Ah Feel To Party	277
6	Fonclaire Juniors Steel Orchestra	Jamtown	275
7	Desperadoes Youth Steel Orchestra	Too Own Way	270
8	Uptown Fascinators Youth Orchestra	Kettle Pot	268
9	RBC Redemption Sound Setters Youth Academy	Retro	265
10	Katzenjammers Youths	Jamtown	264
10	Phase Il Pan Groove Junior Steel Orchestra	Tender	264
12	Matthews Steel Orchestral Music Academy	Too Own Way	252

 

Single Pan Bands Finals: Grassroots Energy on the Panorama Stage

The Single Pan Bands competition once again underscored the vibrant grassroots foundation that continues to sustain and expand the Steelband movement across Trinidad and Tobago. As one of the most accessible categories within Panorama with 48 bands participating, the Single Pan division provides an important entry point for many community bands, youth ensembles, and emerging musicians who are eager to showcase their talent on the national stage. It is within this category that the passion of neighbourhood Steelband’s is often most visible, reflecting the deep connection between music, community pride, and cultural identity.

Unlike the larger conventional steel orchestras that utilize a full range of instruments, Single Pan bands perform with a more compact instrumentation, typically centred around the tenor pan and supported by a smaller range of accompanying voices and a vibrant engine room. This configuration demands a unique level of musical creativity from arrangers and players alike. With fewer instruments available to create orchestral depth, arrangers must rely on inventive phrasing, strong rhythmic structure, and tight ensemble coordination to produce a rich and engaging sound.

The result is a category that is often fast-paced, rhythmically driven, and filled with infectious energy. Performances are characterized by lively interpretations of popular calypso and soca melodies, brought to life through the pulsating rhythms of the engine room and the dynamic presence of pannists who perform with unmistakable pride. The enthusiasm of the players is often mirrored by the audience, whose cheers and rhythmic responses create an electric atmosphere throughout the competition.

The Single Pan Bands Finals brought together some of the most passionate and determined orchestras within the Steelband fraternity, each eager to deliver a performance that would resonate with both the judges and the enthusiastic crowd. Arrangers pushed their creativity to new heights, transforming familiar Carnival melodies into vibrant Steelband arrangements that balanced musical discipline with irresistible rhythmic drive.

At the conclusion of the competition, San Juan East Side Symphony emerged as the 2026 Single Pan Panorama Champions, delivering an outstanding rendition of Machel Montano’s - “Jumbie” which earned them a winning score of 285 points. Their performance impressed both judges and patrons alike with its musical clarity, confident execution, and vibrant interpretation. Finishing in second place was La Creole Pan Groove, whose dynamic rendition of Ken "Professor" Philmore - “Pan By Storm” secured 282 points, just three points behind the champions. Their powerful performance demonstrated remarkable musical precision and energy, earning them enthusiastic applause from the audience.

Beyond the competition itself, the Single Pan category plays a critical developmental role within the broader Panorama landscape. It provides a vital platform for emerging arrangers, young pannists, and smaller community-based Steelband’s to gain valuable experience performing in a national competition. Many of today’s celebrated Panorama arrangers and championship orchestras began their journey within this division, refining their craft before advancing to the medium and large band categories.

Equally important is the profound sense of community pride that accompanies these performances. For many bands, participating in the Single Pan competition represents the culmination of months of preparation, sacrifice, and teamwork.

Throughout the competition, the performances served as a powerful reminder that the size of an orchestra does not determine the impact of its music. While the ensembles may be smaller, the energy, dedication, and musical excellence displayed by these bands are anything but modest. Each performance reaffirmed the enduring vitality of the grassroots Steelband movement and the crucial role it continues to play in shaping the future of Panorama.

PLACING	NAME OF BAND	SELECTION	TOTAL
1	San Juan East Side Symphony	Jumbie	285
2	La Creole Pan Groove	Pan By Storm	282
3	Chord Masters Steel Orchestra	Showdown (Band Meet Band)	280
4	Metro Stars Steel Orchestra	Kettle Pot	277
5	New Age Trendsetters	Mystery Band	274
5	Hope Pan Groovers	Like Ah Boss	274
7	Trinidad and Tobago Prisons Service Steel Orchestra	Moving (To The Left)	273
8	Trinidad And Tobago Police Steel Orchestra	Toro Toro	270
9	Epic Koskeros Steel Orchestra	Toco Band	269
9	D' Original Woodbrook Modernaires Steel orchestra	Ah Cyah Wait	269
11	La Famille United Steel Orchestra	Suck Meh Soucouyant	268
12	Trinidad East Side Symphony	Bahia Girl	267
13	LA 47 Steel Orchestra	Showdown (Band Meet Band)	266
14	Pan Jammers Steel Orchestra	Government Boots	263
14	Trinidad & Tobago Fire Service Steel Orchestra	Don't Back Back	263
16	Uni Stars Steel Orchestra	Marajhin	262
16	Harlem Syncopators	Carnival Time Again	262
18	San Juan All Stars Steel Orchestra	Park It	260
19	Nayal Hill S.O.M. Steel Orchestra	This Melody Sweet	258
19	Arima All Stars Steel Orchestra	Caribbean Connection	258
21	La Romaine Super Vibes	Ah Feeling to Rock	256
22	Nu Pioneers Pan Groove	Ah Feeling It	255
23	East Phonics Steel Orchestra	Swing	253
24	Scrunters Pan Groove	Dead Or Alive	251
25	Pan Stereonettes Steel Orchestra	Four Lara Four	248

 

Small Bands Finals: Musical Precision and Innovation

Small Bands Finals: Musical Precision and Innovation

The Small Bands competition once again highlighted the remarkable musical depth and sophistication that exists within this important category of Panorama. While these orchestras may not possess the sheer size and sonic power of the larger ensembles, they consistently deliver performances that are rich in musical detail, creativity, and technical discipline. Over the years, the Small Bands division has built a reputation for producing some of the most inventive and musically refined arrangements within the Panorama competition.

What makes this category particularly compelling is the distinct challenge faced by arrangers and musicians. With fewer players than the medium and large conventional steel orchestras, small bands must rely heavily on precision, balance, and musical clarity to create a powerful and engaging sound. Every instrument carries significant responsibility within the arrangement, requiring pannists to maintain tight coordination and impeccable timing throughout their performance.

To achieve this level of musical impact, arrangers often employ innovative harmonic structures, dynamic rhythmic patterns, and carefully layered instrumentation designed to maximize the sonic possibilities of their ensembles. This creative approach allows small bands to achieve a surprising level of musical richness, demonstrating that the size of an orchestra does not determine the complexity or effectiveness of its performance.

The Small Bands Finals featured an impressive line-up of orchestras that delivered both technical excellence and artistic imagination on the Panorama stage. Each band brought its own interpretation to the competition, presenting arrangements that blended the traditional rhythmic foundations of Steelband music with contemporary musical influences. From intricate melodic passages to powerful rhythmic breaks driven by the engine room, the performances captured the full expressive range that steelpan orchestration can offer.

At the end of an exciting and highly competitive final, the judges declared a tie for first place, with two outstanding orchestras sharing the championship title. Southern Stars Steel Orchestra (D’ South Band) delivered a powerful rendition of Merchants - “Let Us Build a Nation Together,” arranged by Duvonne Stewart, earning a score of 283 points. Matching that score to claim a share of the title was Uptown Fascinators Steel Orchestra, whose dynamic interpretation of Crazy’s - “Band from Space,” arranged by Ojay Richards, also earned 283 points.

Finishing in third place was Golden Hands Steel Orchestra, whose energetic rendition of Atlantik’s (Tony Prescott) - “All Aboard” impressed both judges and patrons with its musical precision and vibrant performance.

The Small Bands category continues to serve as an important platform for musical experimentation and creative expression within Panorama. Arrangers often take bold artistic risks in this division, introducing new musical ideas and stylistic approaches while preserving the unmistakable sound and spirit of the steelpan tradition.

For patrons and Steelband enthusiasts alike, the Small Bands Finals remain one of the most exciting segments of the Panorama season. The performances are often marked by an intimacy and musical precision that allow audiences to fully appreciate the craftsmanship behind each arrangement.

Ultimately, the Small Bands competition stands as a testament to the ingenuity and adaptability of the Steelband movement. It demonstrates that even with limited resources, the creativity, dedication, and musical brilliance of pannists and arrangers can produce performances that rival any orchestra on the Panorama stage.

PLACING	NAME OF BAND	SELECTION	TOTAL
1	Southern Stars Steel Orchestra (D' South Band)	Let Us Build A Nation Together	283
1	Uptown Fascinators Steel Orchestra	Band From Space	283
3	Golden Hands	All Aboard	278
4	Tunapuna Tipica Steel Orchestra	The Party Hot Hot Hot	276
5	T&TEC New East Side Dimension	Water De Garden	275
5	Trinidad and Tobago Defence Force Steel Orchestra	All Is Yours	275
7	Fusion Steel Orchestra	Signal for Lara	273
8	Fascinators Pan Symphony	Both of Them	272
8	Road Block Steel Orchestra	Guitar Pan	272
10	Panosonic Connection Steel Orchestra	Drunk and Disorderly	267
10	Alpha Pan Pioneers	Take Me Home	267
12	First Citizens Tobago Pan-Thers Steel Orchestra	Whap Cocoyea	266
12	West Stars Steel Orchestra	No No We Eh Going Home	266
14	Tokyo Steel Orchestra	Jamtown	265
14	Plymouth Bethesda Steel Sensation	Dance Floor	265
16	Arima Golden Symphony Steel Orchestra	Both of Them	264

 

The Most Anticipated Event of the Season: The Medium and Large Bands Semi-Finals

Among all the events that define the Panorama season, the Medium and Large Bands Semi-Finals at the Queen’s Park Savannah stand as the most highly anticipated spectacle of the competition. Known affectionately to patrons as “Savannah Party,” this stage of the competition transforms the historic Queen’s Park Savannah into a vibrant cultural festival where thousands gather to witness some of the finest steel orchestras in the country perform at their highest level.

For many Steelband supporters, the Semi-Finals represent the true heart of Panorama. It is the moment when the competition moves fully into the national spotlight, bringing together bands from across Trinidad and Tobago on a single stage. The Savannah becomes a sea of colour, music, and excitement as supporters proudly wave their band flags, chant in rhythm with the engine room, and celebrate the artistry of the Steelband movement.

Throughout the day and well into the night, medium and large conventional steel orchestras take the stage one after another, each delivering their carefully prepared arrangements in hopes of securing a coveted place in the Panorama Finals. The performances at this stage of the competition are often among the most memorable of the entire season. Bands arrive fully energized, determined to demonstrate their musical excellence and earn the judges’ approval.

For arrangers and musicians, the Semi-Finals represent a defining moment. Months of rehearsal culminate in these performances, where every musical phrase, transition, and dynamic shift must be executed with precision. The Savannah stage demands not only technical excellence but also stage presence, confidence, and the ability to connect with the massive audience in attendance.

The atmosphere at the Savannah during the Semi-Finals is unlike any other cultural event in Trinidad and Tobago. Vendors line the perimeter; patrons move between the North Stand and Grand Stand and the air is filled with the unmistakable rhythm of steelpan music echoing across Port of Spain. Supporters from competing bands mingle freely, creating a festive environment that captures the spirit of Carnival itself.

Beyond the competition, the Semi-Finals also serve as an important national gathering for the Steelband community. It is here that veteran pannists, young musicians, cultural enthusiasts, and first-time visitors come together to celebrate the art form that Trinidad and Tobago has given to the world.

By the time the final band leaves the stage and the results are announced, the Savannah has witnessed a full day of extraordinary musical performances, each contributing to the unfolding drama of the Panorama season. Bands that secure their place in the finals celebrate triumphantly, while those who fall short depart with pride, knowing they have performed before one of the largest and most passionate audiences in the Steelband world.

Year after year, the Medium and Large Bands Semi-Finals continue to reaffirm their status as the most anticipated and electrifying event of the Panorama calendar - a celebration of music, community, and national pride that stands at the very heart of Trinidad and Tobago’s Carnival season.

Medium Conventional Bands – 10 Bands went to the Medium Bands Finals

PLACING	NAME OF BAND	SELECTION	TOTAL
1	Pan Elders Steel Orchestra	Magician (I Command You)	280
2	Courts Sound Specialists of Laventille	Soft Man	278
3	Pamberi Steel Orchestra	The Fog	275
4	Arima Angel Harps Steel Orchestra	Band From Space	273
5	Dixieland Steel Orchestra	Raising Dust	270
6	Couva Joylanders Steel Orchestra	Fire in the Backseat	269
7	Steel Xplosion Steel Orchestra	We Could Make It If We Try	268
8	Sangre Grande Cordettes Steel Orchestra	Mash up	266
9	Sforzata Steel Orchestra	This Party Is It	262
10	Curepe Scherzando Steel Orchestra	Jamtown	258
11	San City Steel Symphony	Drive It	256
12	Valley Harps Steel Orchestra	Hall of Fame	255
13	La Brea Nightingales Steel Orchestra	High Life	250
14	Moods Steel Orchestra	Oil and Music	248
15	Matthew's Steel Orchestral Music Academy	Bacchanal Time	246
16	Trinidad Valley Harps Steel Orchestra	Rally Round the West Indies	242

 

Large Conventional Bands – 12 Bands went to the Large Bands Finals

POS	NAME OF BAND	SELECTION	TOTAL
1	Bp Renegades Steel Orchestra	The Lizard	281
2	Republic Bank Exodus Steelband	Cyah Behave	278.5
3	Massy Trinidad All Stars Steel Orchestra	The Will	278
4	Phase Il Pan Groove	Trouble	277.5
5	Nutrien Silver Stars Steel Orchestra	Res ectfully Yours	277
5	Desperadoes Steel Orchestra	We Calypso	277
7	T&TEC Tropical Angel Harps Steel Orchestra	Last Train	273
7	Skiffle Steel Orchestra	Cyah Behave	273
7	Shell Invaders Steel Orchestra	Inch by Inch	273
7	Proman Starlift Steel Orchestra	Last Train	273
11	NLCB Fonclaire Steel Orchestra	Get Something and Wave	272
12	First Citizens Supernovas Steel Orchestra	Rum & Coca Cola	271
12	Katzenjammers Steel Orchestra	Too Young To Soca	271
14	NLCB Buccooneers Steel Orchestra	Carnival Birthday	269
15	RBC Redemption Sound Setters Steel Orchestra	Oil in the Coil	267
16	Siparia Deltones Steel Orchestra	Take Me Home	265
17	Harmonites Steel Orchestra	Ah Coming Home	259

 

Legacy Monday: A Spectacle of Musical Excellence

One of the defining moments of the Panorama 2026 season came with Legacy Monday, the Medium Bands Finals, an event that delivered unforgettable performances and one of the most exciting nights of the competition. The event brought together ten outstanding medium-sized steel orchestras, each competing for the coveted championship title in a category known for its balance of musical sophistication, creativity, and dynamic stage presentation.

Originally, the Medium Bands Finals were scheduled to take place on Sunday 8th February 2026 at the Parade Grounds in Tobago, an initiative aimed at strengthening the cultural connection between Trinidad and Tobago and bringing a major Panorama event to the sister isle. However, due to transportation challenges associated with ferry services, which affected the movement of bands and supporters between the islands, Pan Trinbago made the decision to relocate the event to Monday 9th February 2026 at the Queen’s Park Savannah in Port of Spain. To ensure that patrons could still enjoy the event despite the last-minute change, admission was made free to the public, allowing thousands of Steelband supporters to gather at the Savannah for what became a spectacular evening of music.

From the moment the first band took the stage, it was clear that the competition would be fierce. Each orchestra delivered carefully crafted arrangements that demonstrated the remarkable musical artistry within the medium band category. These performances blended traditional calypso rhythms with contemporary musical innovation, creating dynamic interpretations that captivated both judges and the enthusiastic audience.

At the end of an electrifying night, Pan Elders Steel Orchestra emerged as the 2026 Medium Bands Panorama Champions with their dazzling rendition of Burning Flames’ “Magician,” arranged by Ojay Richards. Their performance was nothing short of theatrical brilliance, captivating the Savannah crowd not only through musical precision but also through a dramatic and imaginative stage presentation. The band elevated the performance by incorporating Kes the Illusionist into the act, transforming the stage into a magical spectacle that perfectly reflected the theme of the song. In a stunning moment that left patrons in awe, the arranger himself appeared to disappear from the stage, adding a dramatic flourish that brought the entire presentation to a thrilling climax. The performance earned thunderous applause from the crowd and secured the championship title for the band.

The victory also marked an important milestone for Tobago-born arranger Ojay Richards, as it represented his second Panorama title for the 2026 season, further establishing him as one of the most exciting arrangers within the Steelband fraternity.

Finishing in second place was Courts Sound Specialists of Laventille, whose smooth and musically refined rendition of Penguin’s “Soft Man,” arranged by Duvonne Stewart, impressed the judges with its balance, musicality, and disciplined execution.

Claiming third place was Pamberi Steel Orchestra, whose powerful interpretation of Machel Montano’s “The Fog” delivered a dynamic and energetic performance that kept the audience fully engaged.

Legacy Monday ultimately lived up to its name, serving as both a tribute to the pioneers who laid the foundation of the Steelband movement and a celebration of the contemporary musicians and arrangers who continue to push the art form forward. The event once again demonstrated why the Medium Bands category remains one of the most exciting and creatively vibrant divisions within the Panorama competition.

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PLACING	NAME OF BAND	SELECTION	TOTAL
1	Pan Elders Steel Orchestra	Magician (I Command You)	289
2	Courts Sound Specialists of Laventille	Soft Man	284
3	Pamberi Steel Orchestra	The Fog	278
4	Arima Angel Harps Steel Orchestra	Band From Space	275
4	Couva Joylanders Steel Orchestra	Fire in the Backseat	275
6	Dixieland Steel Orchestra	Raising Dust	272
7	Sangre Grande Cordettes Steel Orchestra	Mash Up	269
8	Sforzata Steel Orchestra	This Party Is It	268
9	Steel Xplosion Steel Orchestra	we Could Make It If We Try	267
10	Curepe Scherzando Steel Orchestra	Jamtown	265

 

 

The Grand Finale: Large Conventional Bands Finals

The culmination of the Panorama 2026 season arrived with the Large Conventional Bands Finals, an event that once again confirmed why Panorama remains the most prestigious and fiercely contested Steelband competition in the world. The journey to the finals began weeks earlier with the Medium and Large Bands Semi-Finals, widely known among patrons as Savannah Party, where thousands gathered at the Queen’s Park Savannah for a full day of extraordinary Steelband performances.

At the conclusion of the Semi-Finals, bp Renegades Steel Orchestra secured the top position with their powerful interpretation of Sparrow’s - “The Lizard,” earning 281 points. Close behind them was Republic Bank Exodus Steel Orchestra, whose dynamic rendition of Voice’s - “Cyah Behave” scored 278.5 points. Massy Trinidad All Stars Steel Orchestra followed in third place with their performance of Scrunter’s - “The Will,” earning 278 points.

Rounding out the top five were Phase II Pan Groove, whose interpretation of Dr. Boogsie Sharpe and Freetown Collective’s - “Trouble” earned 277.5 points, and a tie for fifth place between Nutrien Silver Stars Steel Orchestra, performing “Respectfully Yours,” by Full Blown and Desperadoes Steel Orchestra, with their rendition of Mical Teja and Karene Ashe’s - “We Calypso,” both earning 277 points. The remaining bands also delivered impressive performances, underscoring the remarkable depth of talent within the Steelband fraternity.

The Semi-Finals set the stage for what would become an unforgettable night at the Large Bands Finals, held at the Queen’s Park Savannah on Saturday 14th February 2026. Patrons filled the venue in anticipation of witnessing the country’s most celebrated steel orchestras compete for the national title. From the first band to the last, the evening unfolded as a breath-taking display of musical precision, creativity, and performance artistry.

What made the night even more dramatic was the extraordinary closeness of the competition. When the results were announced, only one point separated the first, second, and third place finishers, highlighting the exceptional standard of musicianship displayed by the finalists.

Emerging as the 2026 Panorama Large Conventional Bands Champions was Republic Bank Exodus Steel Orchestra, whose electrifying rendition of “Cyah Behave” earned them 289 points and secured their sixth national Panorama title. Their performance combined musical brilliance with powerful stage presence, earning enthusiastic applause from the Savannah crowd.

Finishing just one point behind the champions was bp Renegades Steel Orchestra, whose masterful interpretation of “The Lizard” earned 288 points, securing the second-place position in what was one of the closest finishes in recent Panorama history.

Claiming third place was Nutrien Silver Stars Steel Orchestra, whose vibrant rendition of “Respectfully Yours” scored 287 points, continuing the band’s long-standing tradition of excellence within the Panorama competition.

Completing the top five orchestras were Desperadoes Steel Orchestra, whose energetic performance of “We Calypso” earned 284 points for fourth place, and Massy Trinidad All Stars Steel Orchestra, whose polished interpretation of “The Will” secured 283 points for fifth place.

The remaining finalists also delivered strong performances, further demonstrating the remarkable quality of Steelband music in Trinidad and Tobago.

The Large Bands Finals once again delivered a spectacular conclusion to the Panorama competition, showcasing the extraordinary talent, discipline, and musical innovation that defines the Steelband movement. The performances not only captivated the thousands gathered at the Savannah but also reaffirmed the global significance of Panorama as the ultimate stage for the art of the steelpan.

 

PLACING	NAME OF BAND	SELECTION	TOTAL
1	Republic Bank Exodus	Cyah Behave	289
2	Bp Renegades Steel Orchestra	The Lizard	288
3	Nutrien Silver Stars Steel Orchestra	Respectfully Yours	287
4	Desperadoes Steel Orchestra	we Calypso	284
5	Massy Trinidad All Stars Steel Orchestra	The Will	283
6	Skiffle Steel Orchestra	Cyah Behave	282
7	Katzenjammers Steel Orchestra	Too Young To Soca	281
8	Phase Il Pan Groove	Trouble	280
9	T&TEC Tropical Angel Harps Steel Orchestra	Last Train	278
10	Proman Starlift Steel Orchestra	Last Train	277
11	First Citizens Supernovas Steel Orchestra	Rum & Coca Cola	274

Carnival Lagniappe: The Grand Celebration of Carnival Champions

The Panorama season and the wider Carnival celebrations came to a magnificent close with Carnival Lagniappe, the traditional grand showcase that brings together the champions of Trinidad and Tobago’s Carnival across Mas, Pan, and Calypso. Hosted at the Queen’s Park Savannah, the event served as a vibrant cultural finale, allowing patrons to relive the defining performances and award-winning presentations that shaped the 2026 Carnival season.

Carnival Lagniappe has long been regarded as the ultimate celebration of Carnival excellence, and the 2026 edition delivered an evening filled with extraordinary music, theatrical masquerade portrayals, and electrifying entertainment. The programme brought together the champions of the season, highlighting the very best of Steelband music, calypso, soca, and masquerade artistry.

The show opened with the Junior Panorama Under-19 Champions, St. Francois Valley Stars Youth Steel Orchestra, whose performance set an inspiring tone for the evening. Their return to the stage allowed patrons to once again experience the musical discipline, energy, and youthful brilliance that earned them the championship title. Their performance symbolized the continuation of the steelpan legacy through the next generation of musicians.

Immediately following their performance, the spotlight shifted to the young stars of the Carnival music competitions. The stage welcomed the Junior Calypso Monarch, Janaya Clarke, who delivered her winning song “Role Models,” captivating the audience with her confident delivery and strong lyrical message. She was followed by Kymani Hector Kalloo, the Junior Primary Schools Soca Champion 2026, whose vibrant performance energized the Savannah crowd.

The youth segment continued with an appearance by Marcus McDonald of Presentation College, San Fernando, the National Junior Secondary Schools Soca Champion, who showcased the powerful vocal talent emerging from the nation’s schools. The programme also featured Janavi Rampersad, winner of the Primary Schools Intellectual National Carnival Chutney Soca Monarch competition, whose performance added a unique cultural dimension to the evening’s entertainment.

The steelpan segment of the show celebrated the champions of the Panorama season, bringing together winning orchestras from across the various categories. Patrons were treated to thrilling performances by:

• Republic Bank Exodus Steelband – 2026 Panorama Large Conventional Bands Champions
• bp Renegades Steel Orchestra – Large Bands Runner-Up
• Pan Elders Steel Orchestra – Medium Bands Champions
• Southern Stars Steel Orchestra (D’ South Band) – Joint Small Bands Champions
• Uptown Fascinators Steel Orchestra – Joint Small Bands Champions
• San Juan East Side Steel Symphony – Single Pan Champions
• Shell Invaders Youth Steel Orchestra – Junior Panorama 21 & Under Champions

These orchestras did not appear in competitive order, allowing the programme to flow dynamically while giving each band the opportunity to deliver a performance that reminded audiences why they stood among the best steel orchestras of the season.

The Junior Mas champions also took centre stage. Jarel Peters, the joint Junior King of Carnival, impressed patrons with his dramatic portrayal “Master of the Drums,” along with Antonio Rampersad, portrayal, Solarian – Firebird of Life and Light, while Jae Marie Mohammed, the Junior Queen of Carnival, captivated the audience with her stunning presentation “Iya Lorisha - Priestess of the Orisa.”

The celebration of Carnival artistry continued with breath-taking appearances by the champions of the Mas competitions. The audience witnessed the spectacular portrayals of Curtis Eustace, who captured first place in the King of Carnival competition, and Roxanne Omalo, the Queen of Carnival champion, whose elaborate costume presentation reflected the extraordinary creativity and craftsmanship of Trinidad and Tobago’s mas designers.

The musical energy continued to build with performances from some of the country’s leading entertainers. Lady Lava delivered a powerful and energetic performance that had patrons fully engaged, while Temperature the Band added further excitement to the evening’s entertainment lineup.

The calypso fraternity was also prominently represented. Terri Lyons, the 2026 Calypso Monarch, delivered a commanding performance that reminded audiences of the enduring strength of the calypso tradition. Tameika Darius, the NWAC National Calypso Queen, also graced the stage with a stirring performance. The youth calypso movement was represented by Rivaldo London, the National Action Committee Young King, performing his song “Water Thicker.”

A highlight of the evening was the entertaining extempo clash between calypso legends Brian London and Gypsy, showcasing the wit, improvisation, and lyrical mastery that have long defined this classic calypso art form.

The night reached its climactic moment when Machel Montano took the stage to perform “Encore,” the 2026 Road March winning song. As the familiar chorus echoed across the Queen’s Park Savannah, patrons erupted into song and dance, celebrating one final time before the close of Carnival.

By the end of the evening, Carnival Lagniappe once again fulfilled its role as the perfect closing celebration of Trinidad and Tobago’s Carnival season. Through a thrilling fusion of Mas, Pan, and Calypso, the event brought together the champions and cultural icons who defined the 2026 festivities, leaving patrons with one final unforgettable night of music, creativity, and national pride.

The Legacy Continues

As the curtains fall on Panorama 2026, the season leaves behind far more than the memory of extraordinary performances and championship victories. It leaves a renewed sense of pride and purpose within the Steelband fraternity and the wider national community. The theme “Legacy - Ours to Love, Ours to Cherish” proved to be more than a slogan, it became a powerful reflection of the responsibility carried by every pannist, arranger, tuner, and supporter to safeguard the cultural treasure that Trinidad and Tobago has given to the world.

The journey of the Steelpan is one of the most remarkable stories in modern cultural history. From the ingenuity of early pioneers who transformed discarded oil drums into musical instruments in the communities of Port of Spain, to the sophisticated orchestras that now perform on the Panorama stage, the steelpan represents the triumph of creativity, resilience, and determination. What began as an expression of identity and resistance has evolved into a symbol of national pride and cultural excellence recognized across the globe.

Today, the steelpan has travelled far beyond the shores of Trinidad and Tobago. It is studied in universities, performed in concert halls, and embraced by musicians on every continent. Steel orchestras perform internationally, educators incorporate steelpan into music programmes around the world, and the instrument continues to inspire new generations of musicians who are drawn to its unique sound and cultural significance.

Yet despite this global journey, the true spirit of the steelpan remains rooted in the pan yards
 and communities where the movement was born. It is in these spaces that young pannists first learn to strike a note, where arrangers shape their musical visions late into the night, and where communities gather to support the bands that represent them. These yards remain the beating heart of the Steelband movement, ensuring that the instrument’s cultural identity is never lost, even as its influence expands worldwide.

Throughout the 2026 season; from the lively pan yard preliminaries to the electrifying Panorama finals and the grand celebration of Carnival Lagniappe, the steelpan once again demonstrated its extraordinary power to unite communities, inspire creativity, and celebrate the shared heritage of Trinidad and Tobago.

Panorama 2026 reminded us that the steelpan is far more than music. It is a story of innovation, a movement shaped by generations of visionaries, and a cultural legacy that continues to evolve with every new player who lifts a pair of pan sticks.

And as the final notes of the season fade into memory and the Savannah lights dim for another year, one truth remains clear: the steelpan is not simply a symbol of the past, it is the sound of a living legacy that continues to grow, inspire, and unite.

It is our story, our pride, our Legacy and our cultural gift to the world.

It is ours to love… and ours to cherish.