Thursday, September 26, 2024

Steelpan wins big at Trinidad and Tobago National Awards 2024

 

Celebrating National Awardees Mark Loquan, Beverley Ramsey-Moore, and Duvonne Stewart

In the vibrant tapestry of Trinidad and Tobago’s cultural heritage, the steelpan stands as a powerful symbol of resilience, creativity, and community spirit. In 2024, three distinguished individuals—Mark Loquan, Beverley Ramsey-Moore, and Duvonne Stewart—were celebrated for their monumental contributions to the steelpan and the nation as a whole. Their remarkable achievements do not only highlight the advancements in steelpan music but also reflect their unwavering commitment to cultural development and innovation.

Mark Loquan: A Beacon of Innovation and Cultural Commitment




Loquan was honoured with the Order of the Republic of Trinidad and Tobago (ORTT), the nation’s highest award, at a poignant ceremony held at the President's House, St. Ann's. This recognition comes at a time when Loquan is bravely recovering from brain cancer surgery, making his achievements even more inspiring. Throughout his illustrious career, he has been a highly respected figure in the energy sector, where he has contributed significantly to national service and sustainability initiatives.

Loquan’s professional journey includes pivotal roles at Yara and the National Gas Company (NGC), where he was instrumental in promoting innovative practices that have made strides in energy efficiency. His passion for the steelpan, however, transcends his professional achievements. He is an award-winning music composer, songwriter, and documentary filmmaker, renowned for his contributions to the steelpan music industry.

His influence as a composer is evident in popular arrangements such as Celebration Time and In My House, which have resonated deeply within the steelpan community and beyond. Loquan's creative spirit has been a catalyst for many young musicians, encouraging them to explore the expressive potential of the steelpan. He has received various accolades throughout his career, including multiple Hummingbird Medals and recognition from the Trinidad and Tobago Music Festival. ln 2006  he received the Bronze Hummingbird Medal and in 2013 he received the Silver Hummingbird Medal, acknowledging his outstanding contributions to music and the arts.

Loquan’s commitment to cultural advocacy is demonstrated through his involvement in documentaries and projects that elevate the steelpan’s profile, Duvone Stewart: The Man Behind the Music, produced a three-part series celebrating the life and achievements of fellow pannist Duvonne Stewart. This documentary reflects Loquan's dedication to preserving the stories and legacies of Trinidad and Tobago’s steelpan legends.

In his most recent project he co-produced the insightful documentary Panyard Universe alongside Maria Nunes and Vanessa Headley-Brewster. This documentary, which premiered at MovieTowne and was attended by President Christine Kangaloo, explores the journey of the trailblazing Siparia Deltones. It is part of the A Better Tomorrow series, a collection of films that delve into the world of steelpan. Previous projects include Duvone Stewart: The Man Behind the Music and Women in Pan, showcasing the diverse narratives that shape our musical landscape. "The goal for A Better Tomorrow is to shine light on people’s journeys in the pan world," says Loquan, underlining the importance of storytelling in preserving our culture.

Beverley Ramsey-Moore: A Visionary Leader and Advocate for Steelpan Culture



Ramsey-Moore has made history as a transformative force in the steelpan community. As the first female president of Pan Trinbago, her leadership has been a beacon of hope and inspiration for many within the steelpan fraternity. This year, she received national recognition for her exceptional service and commitment to promoting the steelpan as a cultural icon of Trinidad and Tobago.

Ramsey-Moore’s advocacy extends beyond her presidency; she has been instrumental in shaping policies that enhance the growth and visibility of the steelpan. 

Under her visionary leadership, Pan Trinbago has celebrated a historic year in 2024, marking the formal declaration of the steelpan as the National Instrument of Trinidad and Tobago. This monumental recognition not only enshrines the steelpan as a symbol of national pride but also acknowledges its role in shaping the country's identity. The declaration paves the way for educational programs and national festivals, ensuring that the legacy of the steelpan is preserved for future generations.

The organization has achieved a groundbreaking milestone with the successful campaign for Global Indication (GI) certification for the steelpan and its accessories. This certification protects the cultural heritage of the steelpan, preventing unauthorized production outside the country, and firmly establishes Trinidad and Tobago as the birthplace of this innovative instrument.

In August 2024, during the 57th Annual New York Carnival Parade, Ramsey-Moore was honored with six prestigious awards for her outstanding leadership, cultural advocacy, and unwavering service to the Trinidad and Tobago community. These accolades, presented by distinguished representatives including New York State Council Member Rita C. Joseph and Congress Member Yvette D. Clarke, highlight her impact in cultural diplomacy and the development of the steelpan movement.

Some of her recent recognitions include:

  • Ambassador, Reformist & Trailblazer Award from the Trinidad & Tobago Independence Ball Committee.
  • Certificate of Recognition from New York State Council Member Rita C. Joseph.
  • Certificate of Special Recognition from Congress Member Yvette D. Clarke.
  • Proclamation from Senator Kevin S. Parker, celebrating her noble accomplishments and lifetime of good citizenship.
  • Citation from New York State Assembly Member Rodneyse Bichotte Hermelyn for her significant role in the development of the Steelpan culture.
  • New York State Assembly Citation from Monique Chandler-Waterman, acknowledging her exemplary contributions.

These awards are a testament not just to individual achievement but also to the global recognition of the steelpan and the progress of Pan Trinbago under her visionary leadership. 

Duvonne Stewart: The Maestro Behind the Innovative Sounds of the Steelpan 



Stewart, a household name in Trinidad and Tobago’s steelpan community, is celebrated for his exceptional talent as a steelpan arranger and musician. In 2024, he was awarded a national honour in recognition of his unparalleled contributions to the steelpan and his transformative impact on the genre. Born in 1976 in Tobago, Stewart's journey in music began as a soloist, where he quickly established himself as a formidable talent, winning several competitions such as Tobago Music Fest and San Fernando Music Fest.

Stewart's mastery as a steelpan arranger has earned him a remarkable 28 titles across various categories in both National Panorama and International Panorama competitions, making him the only arranger to achieve success in all categories—Single-pan, Small band, Medium band, and Large band. His ability to blend complex melodies with captivating rhythms has set a high standard in the world of steelpan music.

In 2023, the documentary Duvone Stewart: The Man Behind the Music premiered at the Shaw Park Cultural Complex in Tobago. This three-part series, produced by Mark Loquan, chronicles Stewart's journey through struggles, triumphs, and extraordinary moments, capturing the essence of his life as a musician, pannist, composer, and steelpan arranger.

Duvonne, the latest musical genius behind the phenomenal success of BP Renegades Steel Orchestra, continues to set the standard for excellence in steelpan arrangement and performance. Known for his passionate and complex arrangements, Stewart has solidified his place among the greats of steelpan music.

Under his guidance, Pan Elders, a medium band, achieved an incredible six consecutive titles at the Panorama competition, showcasing his mastery in crafting arrangements that challenge musicians and captivate audiences. His ability to weave together intricate melodies and harmonies has made him a sought-after arranger, with his works performed across various Steelband competitions, including the highly prestigious Panorama.

Stewart's accolades include Tobago’s Distinguished Award and the Tobago Medal of Honour Gold, recognizing his outstanding service to Tobago in the sphere of culture. He is celebrated not just for his competition successes but also for his contributions to music education, mentoring young steelpan players, and conducting workshops that inspire creativity and passion in aspiring musicians.

Through his unwavering dedication and innovative spirit, Stewart continues to elevate the steelpan, ensuring its evolution as a prominent genre within global music. His arrangements, characterized by a rich tapestry of sound and emotional depth, have captivated audiences both locally and internationally, further solidifying the steelpan's status as a respected instrument worldwide. He is a strong advocate for the steelpan, tirelessly promoting its musicality and versatility, ensuring that it receives the recognition it deserves on the global stage. His commitment to excellence and innovation has not only made him a household name but has also cemented his legacy as one of the finest steelpan arrangers in history.

A Collective Ode to the Steelpan: The Heartbeat of Trinidad and Tobago

As we celebrate the extraordinary achievements of Mark Loquan, Beverley Ramsey-Moore, and Duvonne Stewart, we also pay homage to the steelpan itself—the very embodiment of Trinidad and Tobago's vibrant cultural identity. These three luminaries have played pivotal roles in advancing the steelpan, ensuring its recognition as a global cultural treasure.

The steelpan has transcended its humble beginnings to become a powerful symbol of unity, resilience, and creativity. The dedication of these awardees reinforces the importance of preserving and promoting the steelpan, ensuring its legacy is passed down to future generations. Through their innovative efforts, they inspire countless individuals to embrace the steelpan, weaving it into the fabric of Trinidad and Tobago's rich cultural narrative.

As we look to the future, we are reminded that the journey of the steelpan is far from over. With passionate advocates like Loquan, Ramsey-Moore, and Stewart leading the charge, the steelpan will continue to resonate, bringing joy, celebration, and cultural pride to the people of Trinidad and Tobago and the world. Their collective efforts shine a light on the importance of nurturing talent, fostering creativity, and championing the arts, ensuring that the sweet sounds of the steelpan echo for generations to come.


THE HONOURS LIST

ORTT (3)

Mark Loquan

Russell Martineau

Prof Patrick Hosein

CHACONIA MEDAL GOLD (11)

Dr Anne Marion Osborne (posthumously) for Music (Pianoforte and Steelpan)

Anon Naipaul for Business

Christopher Laird for Film Industry

Eustace Nancis for Business and Community Service

Karen Darbasie for Banking and Finance

Marilyn Stollmeyer for Health and Education

Mohan Persad for Business and Community Service

Lt Col (Ret) AR Morris Baden Semper for Public Service

Dr Robert Jeffrey Edwards for Medicine/ Community

Dr Ruth Lindyann Bodden-Rich (posthumously) for Culture and the Arts (Music)

Sandra Pyke-Anthony for Community Development

CHACONIA MEDAL SILVER (7)

Dr Andrew Dhanoo for Health care and Volunteerism

Imran Khan for Business

James Philbert for National Security and Public Service

Joanne James for National Security and Public Service

Linda Hewitt (posthumously) for Statistics and Community Service

Nazir Khan for Business

Stephen Williams for National Security and Public Service

HUMMINGBIRD GOLD (18)

Amjad Ali for Business

Arlene Alleyne-Daniel for Culture/Arts/Community Development

Beverly Ramsey-Moore for Culture/Arts/Community Development

Dr Elaine Iton for Health and Community Development

Dr Gillian Paul (posthumously) for Education

Glen De Souza for Culture

Dr James Armstrong for Arts and Public Service

Kenwyn Crichlow for Arts

Dr Khamedaye Basdeo Maharaj for Dermatology

Dr Krishna Kumar Sundaraneedi for Public Health/Research and Development

Merissa Aguilleira for Sport (Cricket)

Navin Stewart for Sport (Cricket)

Dr Richard Clerk for Medicine and Community Service

Dr Ronnie Bhola for Medicine (Eye care)

Sr Roberta O'Flaherty for Education and Community Service

Prof Sanjay Bahadoorsingh for Engineering and Education

Stanford Callender for Public and Community Service

Solaiman Juman for Medicine and Research

HUMMINGBIRD SILVER (15)

Cindy Ramnarine for Education

Derek Phillip for Education

Duvone Stewart for Culture and the Arts

Maj (Ret) Edourd Wade for Music and Culture

Phillip Fraser for Education and Sport

Kathryn McConnie for National Service

Dr Jennifer Rouse for National Service and Social Work

Michael Bradshaw for Youth Development and Community Service

Nasser Khan for Education and Literacy

Naomi Adonis-Woodsley for Education

Roger Boothman for Culture and the Arts

Romeo Gunness for Education

Rhonda Jones for Community Service and Sports

Rhondall Feeles for Community Service

Zena Ramatali for Education

MEDAL OF MERIT GOLD (08)

Jacqueline Sampson Meiguel for Public Service (Governance)

Dr Janet Stanley-Marcano for Education

Nadira Maharaj for Health care (Medical Laboratory Service)

Narieman Hosein-Ahamad (posthumously) for Public Service

Raj Badhal for Public Service

Shaheed Allaham for Education and Community Service

Sonia Mahase-Persad for Education/Nation building

Stephanie Lewis for Public Service

MEDAL OF MERIT SILVER (1)

Fitzgerald Jeffrey (posthumously) for National Service

MEDAL FOR DEVELOPMENT OF WOMEN GOLD (1)

Rowena Martineau Pitt for Development of Women

MEDAL FOR DEVELOPMENT OF WOMEN BRONZE (1)

Giselle Granger for Development of Women in Agriculture

Wednesday, August 7, 2024

World Steelpan Festival - From Roots to Recognition



Global Recognition and Cultural Impact

Over the decades, the steelpan has transcended its local origins to gain international acclaim. It is now celebrated worldwide for its unique sound, versatility, and the sense of community it fosters among players and enthusiasts. Steelband’s have formed in numerous countries, and the instrument is taught and performed in schools and universities globally.

 

The United Nations’ Declaration of World Steelpan Day: A Milestone in Cultural Recognition

The declaration of World Steelpan Day by the United Nations marks a significant milestone in the global recognition of Trinidad and Tobago’s national instrument. This acknowledgment not only honours the steelpan’s rich history but also aims to promote its continued growth and appreciation across cultures and generations. Here, we delve into the details of this landmark event, exploring the when, why, and how of the UN’s declaration.

 

The Historic Sitting of the United Nations

World Steelpan Day was officially declared by the United Nations General Assembly on July 24, 2023. This historic sitting saw member states come together to recognize the cultural, social, and artistic significance of the steelpan, making it the first musical instrument to receive such an honour from the UN.

The proposal for World Steelpan Day was introduced during the 77th session of the General Assembly, reflecting a concerted effort by Trinidad and Tobago’s representatives, cultural ambassadors, and international supporters. The resolution was adopted by consensus, underscoring the widespread appreciation and respect for the steelpan within the international community.

Recognizing Cultural Heritage and Promoting Global Unity

The declaration of World Steelpan Day was driven by several key factors:

  1. Cultural Heritage: The steelpan is a symbol of Trinidad and Tobago’s cultural heritage and ingenuity. Recognizing World Steelpan Day serves to honour the instrument's origins and the communities that have nurtured and preserved its tradition.
  2. Artistic Innovation: The steelpan is the only acoustic instrument invented in the 20th century, showcasing remarkable innovation. Its unique sound and the craftsmanship involved in its creation highlight the artistic talents of the Caribbean people.
  3. Global Influence: Over the years, the steelpan has gained international acclaim, with steel bands and performances becoming popular worldwide. This global influence underscores the need to celebrate and promote the instrument on an international stage.
  4. Educational Value: The steelpan has educational benefits, teaching music, discipline, teamwork, and cultural appreciation. Recognizing World Steelpan Day encourages its inclusion in educational curricula globally.
  5. Unity and Diversity: Music is a universal language that transcends borders and unites people. The steelpan, with its origins in the struggle and creativity of marginalized communities, embodies the power of music to foster unity and celebrate diversity.

The Journey to UN Recognition

The journey to the UN’s declaration of World Steelpan Day involved a series of strategic steps and collaborations:

  1. Advocacy and Lobbying: Trinidad and Tobago’s government, led by the Ministry of Tourism, Culture, and the Arts, spearheaded the campaign for the recognition of World Steelpan Day. This effort involved extensive lobbying and advocacy at the United Nations.
  2. Cultural Diplomacy: Cultural ambassadors and notable figures in the steelpan community played a crucial role in promoting the significance of the instrument. They participated in international forums, exhibitions, and performances to highlight the steelpan’s cultural value.
  3. International Support: The campaign garnered support from various countries and international organizations. This broad coalition of supporters helped to build momentum and ensure the successful passage of the resolution.
  4. Formal Proposal: The formal proposal for World Steelpan Day was submitted to the UN General Assembly. It included detailed documentation on the history, cultural significance, and global impact of the steelpan, as well as testimonials from musicians, educators, and cultural experts.
  5. UN General Assembly Vote: During the 77th session of the General Assembly, the proposal was presented and discussed. The resolution received overwhelming support and was adopted by consensus, officially designating August 11 as World Steelpan Day.

Impact and Future Prospects

The declaration of World Steelpan Day has far-reaching implications:

  1. Cultural Preservation: It ensures that the history and traditions associated with the steelpan are preserved and celebrated globally.
  2. Educational Programs: The recognition promotes the inclusion of steelpan music in educational programs worldwide, fostering a new generation of musicians and cultural enthusiasts.
  3. Tourism and Economic Development: The global recognition of the steelpan enhances Trinidad and Tobago’s cultural tourism, attracting visitors and boosting local economies.
  4. Cultural Exchange: World Steelpan Day facilitates cultural exchange and understanding, promoting peace and unity through the universal language of music.

As we celebrate World Steelpan Day, we not only honour the legacy of the steelpan but also look forward to its continued journey of innovation, cultural significance, and global impact. This recognition by the United Nations serves as a testament to the power of music to bridge cultures and unite people across the world.

Trinidad and Tobago's National Instrument- The Steelpan

Declaration and Proclamation

The steelpan, is not only a musical instrument but also a profound symbol of national pride and cultural heritage for Trinidad and Tobago. Its journey to becoming the national instrument is a testament to its historical, cultural, and social significance.

The steelpan was officially declared the national instrument of Trinidad and Tobago on August 31, 1992. This declaration was part of the celebrations marking the 30th anniversary of the country's independence. Recognizing the steelpan's cultural and historical importance, the government sought to honour its unique status as the only acoustic instrument invented in the 20th century.

The proclamation of the steelpan as the national instrument was made by then Prime Minister, The Honourable Patrick Manning. This formal proclamation was a significant milestone, acknowledging the steelpan's role in Trinidad and Tobago's cultural identity and the contributions of the pioneers who developed the instrument.

When It Was Made Law

The status of the steelpan as the national instrument was legally enshrined on July 19, 2024. This historic legislation was championed by the Minister of Tourism, Culture, and the Arts, Randall Mitchell. His dedication and advocacy were crucial in ensuring the steelpan's official recognition and protection under the law. The passing of this legislation cemented the steelpan's place in the national consciousness and ensured its promotion as a vital element of Trinidad and Tobago's cultural heritage.

Significance of the Steelpan

The declaration, proclamation, and legal recognition of the steelpan underscore its significance in several key areas:

  1. Cultural Identity: The steelpan is a powerful symbol of Trinidad and Tobago's cultural identity. It represents the creativity, resilience, and ingenuity of the Trinidadian people, particularly the African descendants who invented and popularized the instrument.
  2. Historical Importance: The steelpan has a rich history that is deeply intertwined with the social and political struggles of Trinidad and Tobago. Its development from the 1930s to its current form reflects the island's journey towards self-expression and cultural affirmation.
  3. Global Influence: The steelpan has transcended its local origins to gain international acclaim. Steelband’s and steelpan music are now celebrated worldwide, showcasing the global reach and influence of Trinidad and Tobago's cultural heritage.
  4. Economic Impact: The steelpan also has significant economic implications, contributing to the cultural tourism industry and creating opportunities for musicians, craftsmen, and cultural entrepreneurs.

The declaration, proclamation, and legal recognition of the steelpan as Trinidad and Tobago's national instrument highlight its vital role in the nation's cultural landscape. As we celebrate World Steelpan Day and the broader World Steelpan Festival, we honour the steelpan's rich history, its journey to global recognition, and its enduring legacy as a symbol of Trinidad and Tobago's cultural pride. The steelpan is more than just an instrument; it is a testament to the power of music to unite, inspire, and transform.

 

World Steelpan Festival: Roots to Recognition

The upcoming World Steelpan Festival, held from August 5-11, 2024, embraces the theme “Roots to Recognition.” This theme reflects the journey of the steelpan from its grassroots origins to its celebrated status on the world stage. The festival aims to highlight the cultural heritage, artistic innovation, and enduring legacy of the steelpan through a series of events that cater to diverse audiences.

 

 

Festival Events

 


ART EXHIBITION SERIES: GALLERY HOP EDITION

AUGUST 5-10, 2024

From August 5-9, school camps can join us for a series of art exhibitions across Trinidad! These steelpan editions of Gallery Hop will include: Rotunda Art Gallery, Art Society of Trinidad and Tobago, Castle Killarney (Stollmeyer’s) and the Carnival Museum. Registration for Gallery Hop on August 10 will be open the public soon.

  • Meeting Point: Queen’s Park Savannah
  • Time: 10AM – 5PM
  • Admission: Free

 

 

 



WORLD STEELPAN CONFERENCE: FROM ROOTS TO RECOGNITION – STEELPAN’S JOURNEY TO GLOBAL ACCLAIM

AUGUST 9, 2024

This conference includes key panel discussions focusing on financing and sustainability of our national instrument, with support of MITTCO and Panland.

  • Location: Hyatt Regency Trinidad
  • Time: 9AM – 4PM
  • Closed Event

 



PAN YARD JAMS

AUGUST 10, 2024

Come and lime with us at your local pan yard! Take in the sweet sounds of pan taking place in our northern, eastern and central/southern regions of Trinidad.

  • Northern Host Location: Desperadoes Steel Orchestra (with Nutrien Silver Stars Steel Orchestra, Phase 11 Pan Groove Steel Orchestra & Stardust Steel Orchestra)
  • Eastern Host Location: Arima Angel Harps (with Sangre Grande Cordettes Steel Orchestra, Curepe Scherzando Steel Orchestra & Alumknights Steel Orchestra)
  • South/Central Host Location: Skiffle Steel Orchestra (with NLCB/Fonclaire, NGC Couva Joylanders & Tornadoes Steel Orchestra)
  • Time: 6PM – Till
  • Admission: Free

 

 



LEGACIES AND LEGENDS: NATIONAL STEEL SYMPHONY ORCHESTRA OF TRINIDAD AND TOBAGO CONCERT

AUGUST 10, 2024

Take a seat and enjoy a performance from our National Steel Symphony Orchestra of Trinidad and Tobago at the renowned National Academy for the Performing Arts.

  • Location: National Academy for the Performing Arts
  • Time: 6PM – 9:30PM
  • $100TTD tickets available at NAPA Box Office

 



WORLD STEELPAN DAY

AUGUST 11, 2024

Celebrate World Steelpan Day festivities with a pre-celebration, unfolding at the birthplace of the steelpan, Piccadilly Street in Port of Spain, Trinidad and Tobago, continuing to the celebrations held at Woodford Square.

  • Starting Point: Massy All Stars – Duke Street to Woodford Square
  • Time: 12PM – 1AM
  • Admission: Free

Wednesday, July 24, 2024

The Evolution of the Steelbands

 


Early Beginnings and Structure

The 1950s marked a transformative era for Steelband’s in Trinidad and Tobago. Initially, all steelpan instruments were supported around the necks of players, emphasizing mobility during Carnival parades. The primary role of Steelband’s was to perform vibrant music on the streets, captivating audiences with their energetic rhythms.

Preparation for Carnival began approximately two months in advance, a period referred to as "practice." During this time, pan men gathered to learn and rehearse their musical parts. Band leaders, often self-taught, played a crucial role in arranging music. Most pan players lacked formal musical education, relying on auditory skills to memorize complex compositions.

Formation of TASPO and International Recognition

In 1950, the steelpan community took a significant step forward with the establishment of the National Association of Trinidad & Tobago Steelband men, led by Sidney Gollop. This organization aimed to unify and promote Steelband’s, elevating their status in society.

The following year, in 1951, the steelpan achieved international recognition with the formation of the Trinidad All Steel Percussion Orchestra (TASPO). This ground-breaking ensemble was composed of eleven leading pan men, chosen to represent Trinidad and Tobago at the prestigious Festival of Britain in London. TASPO included:

 

Sterling Betancourt (Crossfire)

Sterling Betancourt was a pivotal figure in the global spread of the steelpan. As a member of TASPO, he played a crucial role in showcasing the instrument at the Festival of Britain in 1951. Betancourt chose to stay in London after the tour, becoming a key ambassador for the steelpan in Europe. His efforts were instrumental in introducing the instrument to new audiences and establishing Steelband’s in the UK, helping to foster a vibrant steelpan community abroad.



Belgrave Bonaparte (Southern Symphony)

Belgrave Bonaparte was known for his exceptional skill and dedication to the development of Steelband music. As a member of Southern Symphony and TASPO, he contributed significantly to the ensemble's sound. Bonaparte’s performances were marked by his rhythmic precision and musicality, which helped elevate the steelpan’s status as a serious musical instrument during international performances.


Philmore Davidson (City Syncopators)

Philmore Davidson was a talented pan player and tuner with the City Syncopators. His expertise in tuning was vital for TASPO, ensuring the pans produced the desired tonal quality during their performances in Britain. Davidson’s contributions to the steelpan community extended beyond playing, as he helped refine the instrument's sound, making it more versatile and appealing to diverse audiences.



Andrew De LaBastide (Hill 60)

Andrew De La Bastide brought his unique style and technical prowess to Hill 60 and TASPO. His role as a player and tuner was crucial in the early development of the steelpan’s international presence. De La Bastide’s dedication to his craft helped in creating a cohesive and professional sound for TASPO, which impressed audiences and critics alike during their tour of Britain.



Orman Haynes (Casablanca)

Orman Haynes was a prominent figure in the Casablanca Steelband and an essential member of TASPO. Known for his innovative approach to playing, Haynes contributed to the evolving style of Steelband music. His participation in TASPO helped to highlight the steelpan’s potential as a sophisticated instrument capable of performing complex arrangements and resonating with international audiences.



Elliott Mannette (Invaders)

Elliott Mannette, often referred to as the "Father of the Modern Steelpan," was a pioneering figure in pan innovation. With Invaders, he revolutionized pan construction, developing techniques that improved the instrument's tuning and range. Mannette’s influence extended to TASPO, where his expertise was crucial in crafting the ensemble’s sound. His contributions laid the groundwork for future advancements in steelpan technology.



Granville Sealey (Tripoli)

Granville Sealey was a talented player from Tripoli who initially joined TASPO. Though he left the group early, his involvement highlighted his skills and the significance of his contributions to Steelband music. Sealey's work with Tripoli showcased his ability to blend traditional and innovative styles, enriching the musical landscape of the Steelband community.



Winston Simon (Tokyo)

Winston Simon, a legendary figure in the Steelband world, was renowned for his role in developing the tenor pan. As a member of Tokyo and TASPO, Simon's innovative playing style and musical creativity set him apart. His contributions were instrumental in expanding the steelpan’s melodic capabilities, allowing it to carry intricate melodies and complex harmonies that captivated audiences.



Dudley Smith (Rising Sun)

Dudley Smith, from Rising Sun, was a key player in TASPO, bringing his rhythmic expertise and dynamic energy to the ensemble. Smith's performances were characterized by their vibrancy and precision, helping to elevate the Steelband’s international reputation. His work with Rising Sun and TASPO demonstrated his commitment to pushing the boundaries of Steelband music.


Theophilus Stephens (Free French)

Theophilus Stephens was a dedicated musician from Free French who played an integral role in TASPO’s success. Known for his strong sense of rhythm and harmony, Stephens contributed to the ensemble's cohesive sound. His involvement in TASPO helped showcase the steelpan's versatility and potential, leaving a lasting impact on the perception of Steelband music worldwide.

Anthony Williams (North Stars)


Anthony Williams, a visionary in the Steelband community, led North Stars to numerous successes with his innovative arrangements and leadership. As part of TASPO, Williams’ expertise in arranging and playing was crucial in demonstrating the steelpan’s musical range. His pioneering work, including the introduction of wheeled pan stands, significantly influenced the evolution and popularization of the steelpan.

 


Led musically by Lt. Joseph Nathaniel Griffith of the Police Band, TASPO's members were also skilled tuners. Although Granville Sealey withdrew early and was replaced by Carlton Roach, the group embarked on a successful tour of Great Britain, performing in cities like London, Newcastle, Leeds, and Manchester. Their performances introduced the world to the unique sound of steelpan, showcasing its versatility and melodic potential. Sterling Betancourt remained in London, furthering the steelpan's development abroad.

Societal Challenges and Changing Perceptions

Despite their growing skill and international exposure, Steelband’s faced significant societal challenges in Trinidad and Tobago. Often associated with the poorer, less-educated segments of the population, Steelband music was unfairly linked to delinquency and violence. Many pan men were involved in street gangs, and Steelband’s were perceived as extensions of these groups. Fights between bands were common, sometimes escalating into violent clashes.

In response, a new wave of young, middle-class, college-educated individuals began forming their own Steelband’s, seeking to change the negative perceptions. Bands like Dixieland, led by Curtis Pierre, Silver Stars, led by Edgar "Junior" Pouchet, and Saigon (later known as Starlift) played pivotal roles in gaining acceptance among the middle and upper classes. These bands, supported by students from prestigious schools like St. Mary's College and Queen's Royal College, demonstrated that Steelband music could be sophisticated and respected.

Competition and Musical Innovation

A significant milestone in the acceptance of Steelband’s was their inclusion in the biannual Music Festival in 1952, competing for the Hope-Ross Challenge Cup. This was despite initial resistance from the Music Association, which opposed Steelband’s playing classical music. The festival, conducted in cinemas due to the lack of concert halls, highlighted the Steelband’s capability to interpret complex compositions.

The mid-1950s witnessed rapid advancements in the construction and playing of steelpans. Instruments evolved from single to multiple units, enhancing sound quality and range. Innovations by notable figures like Neville Jules (All Stars), who developed the twin-bass, and Ellie Mannette (Invaders), who created the double-second pan, transformed the Steelband into a versatile orchestra. Anthony Williams (North Stars) revolutionized mobility with the introduction of wheeled stands, allowing bands to parade the streets more easily.



These innovations enabled Steelband’s to adapt classical and popular American music to the calypso beat, expanding their repertoire. Notable recordings by Invaders included "Liebestraume" by Franz Liszt and "Melody in F" by Anton Rubinstein, while All Stars produced hits like "Intermezzo" and "Barcarolle."

Documentation and International Influence

The Steelband’s growing prominence was documented in the 1956 film "Music From Oil Drums," directed by Peter and Toshi Seeger in collaboration with Kim Loy Wong. This 15-minute documentary detailed the process of making and playing steelpans and was accompanied by an instructional manual, "The Steel Drums of Kim Loy Wong," co-authored by Wong and Pete Seeger. The film and manual garnered international acclaim, winning the "Chris" award for excellence and earning a nomination from the Educational Film Library Association.

Emerging Talents and Stylistic Shifts



The late 1950s saw the emergence of young talents who would shape the future of Steelband music. Ray Holman, a 13-year-old prodigy, joined Invaders, helping to shift their image from a band with a troubled past to one of respect and innovation. Holman's influence was instrumental in elevating the band's status.

Emmanuel Riley, also of Invaders, became renowned for his extraordinary solo performances and improvisational skills. His "jazzy" approach to pan playing set a new standard, inspiring other bands in the western part of Port-of-Spain, such as Starlift and Silver Stars, to emulate his style. This interpretative jazz style became synonymous with many popular steel bands of the era.

Key figures like Kelvin Hart, and ambassadors Kelvin Dove and Kim Loy Wong continued to promote steel band music, contributing to its global recognition and acceptance.

From Trinidad to New York: How Steelpan Is Building a Global Cultural and Economic Ecosystem

Steelpan has travelled far beyond the shores of Trinidad and Tobago. What began as an extraordinary expression of creativity, resilience and...